- CRIMSON SKY EMULATOR MAC SERIAL
- CRIMSON SKY EMULATOR MAC SOFTWARE
- CRIMSON SKY EMULATOR MAC CODE
- CRIMSON SKY EMULATOR MAC SERIES
CRIMSON SKY EMULATOR MAC SERIAL
CRIMSON SKY EMULATOR MAC CODE
SantaCruzEQ borrows the innovative code from both Algorithmix’s original PEQ Blue and our own thEQblue remix, wrapping it in a modern, higher fidelity environment designed to help you be more productive. Parallel passive LC - Tonal advantages with band interaction & asymmetry disadvantages, found in old or newly recreated PEQs, another choice for mastering Parallel feed forward/feedback - Complementary amplitude and phase characteristics for boost & cut (symmetrical), found in high end graphic EQs, 1st choice for mastering
CRIMSON SKY EMULATOR MAC SERIES
Series ideal & constant Q - Another special, similar to № 1, all three parameters (resonant ƒ, gain & Q) are independent, no analog relatives! Series proportional, constant Q - Our special Architecture…try it! Series symmetrical, constant Q - Similar to № 7 Series asymmetrical, constant Q - Like № 6 but with mirrored boost & cut Series asymmetrical, constant Q - Boost like № 1, cut like № 5 (extra wide), as found in some USA products & mixers Series proportional - Like № 3 but with extra wide bells at small gain settings, from 0 to 3dB Series proportional - Like № 3 but with bigger changes at large gain settings > ☖dB, try on vocals Series proportional - More musical than constant Q, especially for mixing and post. Series asymmetrical - Old Skool, boost like № 1 but with narrower cut Series symmetrical, almost constant Q bell - common mix desk & outboard gear Architecture, try on “surgical” applications
CRIMSON SKY EMULATOR MAC SOFTWARE
As Spidey (and Voltaire) always reminds us though, “With great power comes great responsibility.” When designed by a clueless or cost–constrained software engineer, it can be your greatest sonic enemy. Properly used, the PEQ is a powerful tool and the best friend of every audio engineer in the quest for perfect sound. It offers maximum flexibility with only three controls. The most popular version in recording and post is the parametric equalizer or PEQ, first perfected by Massenburg in 1972. A few became legend, our thEQorange is one. From its earliest days, the main function was correction or enhancement by boosting or cutting certain frequencies.įor a century, engineers have developed countless equalizers. The equalizer is perhaps the oldest and the most popular of sound processing tools. Whether it’s vintage, modern, or experimental, SantaCruzEQ is a sonic sandbox for every mixing and mastering engineer to mess around in. You get precise, idealized examples of legendary analog equalizer circuitry, complemented by progressive new models. SantaCruzEQ12 is the most complete collection of classic equalizer Architectures ever assembled into one package. Rather than models or simulations that carry analog baggage, SantaCruzEQ has no noise, distortion or other secondary effects inherited from analog. We wanted to lift analog to another level, so we reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. We know you’ll enjoy our dozen variations of blue, newly revised by MAAT, and find your favorite sound. The result? A distillation of analog antecedents, while others are based on new ideas. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs.
Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices.
Why develop yet one more minimum phase parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency.
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